Феномен музичного переживання та музичний образ: сутність, зміст і психологічні механізми у виконавському контексті

Abstract

Статтю присвяченю дослідженню сутності, змістових особливостей, психологічних механізмів музичного переживання та процесу створення музичного образу в контексті розв’язку виконавських завдань. Подано модель виконавського музичного образу, яка схематично відображає алгоритм його формування у процесі роботи над музичним твором. Психологічні механізми музичного переживання визначено відповідно до змістових рівнів виконавського мислення: інтонаційного змісту музики, її художньої форми та виконавської технології.The article considers the essence, content and psychological mechanisms of the musical feeling and creating of the musical image in the context of the performing of music. The author gives the model of the image of musical performing, which schematically represents the algorithm of formation of that image in the process of working on the musical piece. The psychological mechanisms of musical feeling are determined in accordance with levels of meaningful performing thinking: the intonational content of music, its artistic form and performing technology. The ability to differentiatedly see the complex structure of the musical image, enriching intonational and sound imagine through various-modal associations (graphic, spatial-temporal, artistic), and achievement of a sense of artistic integrity of sound-image at the moments of experience of this image are defined as the most important attributes of the performing musical thinking. It is noted that the musical performing experience can take place not only at the level of the artistic musical image as an emotional response, a mental deepening in sounding in a state of "mental meditation" or artistic empathy for musical "events", lyrical hero etc., but also can proceed in purely performing forms at levels of the intonational content of music, performing technology and artistic form. In this case, psychological mechanisms of musical feeling are: thoughtful vocal-like intonation of musical fabric, the modal thinking as a dynamic basis of the musical feeling, the coordination of the internal (mental) and external (which manifests itself in the performing plastic) intonational processes as resonating with the "energy of the musical flow", empathy, multimodal associations, metaphorizing of the image, synesthesia etc. The performing algorithm of creation of the musical image can unfold as a gradual ascent from the sound image to artistic and image sphere of this image (where the sound transforms into the meaning), or vice-versa – from colorful artistic impressions to their expression in the musical matter.