The paper presents a study of the nature of the experiencing expression
in monodramas by E. Grishkovets. This analysis is based on the idea of the human consciousness
layering and the hierarchical principle of the organization of “mental spaces” in it, which was
considered by F. E. Vasilyuk in relation to experiencing and its expression. The ideas about the
work of experiencing as a movement between different life worlds, which are reflected in the
monodramas by Grishkovets, are studied in the paper as a feature of the writer’s idiostyle.
The narrator of the one-man theatrical shows is considered as a literary hero of the “New
Sincerity” era, which replaced the period of postmodern literature. The article traces the
features of the experiencing expression in the monodramas by Grishkovets, the associative
nature of the author’s consciousness slipping into other life worlds, and the ways of creating
(virtualizing) these life worlds.
