Факультет історії і міжнародних відносин

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    Religious Activity and Religious Outlook of Ukrainians in the Conditions of the Introduction of the new Soviet Ritual: the іn Years of Khrushchev’s «Thaw» and the Deployment of Brezhnev’s «Stagnation»
    (Вінниця : ВДПУ, 2023) Kindrachuk, Nadia M.
    The focus of this article is the study of the desire of Ukrainians to preserve their own national and spiritual identity in the process of the implementation of the CPSU – СPU of the new Soviet ritualism during the 60’s – 70’s of the twentieth century. Research methodology. During the research, such scientific methods as analytical-logical, historical-systemic, explanation, search, synthesis, comparison and complex selection were applied. The work also used the method of analysis is to find out the level of growth of national consciousness of Ukrainians. Scientific novelty. The article proves that despite the anti-religious policy of the Communist Party of the Soviet Union – the Communist Party of the Soviet Union, the planting of the «new Soviet ritualism», the ancient church and religious traditions and customs of the Ukrainian people continued to be a part of the everyday culture of Ukrainians. Conclusions. So, the new rites became another «brick» laid by the communists in the stronghold of denationalization and sovietization of the Ukrainian ethnic group. New Soviet holidays were officially opposed to religious holidays. However, the percentage of supporters of church rites of weddings, baptisms and burials among the titular nation of the Ukrainian SSR remained quite high. The religious activity of representatives of the Ukrainian ethnic group was especially observed during the celebration of Christmas, Epiphany, Easter and other church holidays. And although the number of adherents of religious rites in the republic was different – from less in the East to more in the West, Christian values, despite atheism, continued to be the basis of the spiritual life of the absolute majority of Ukrainians.
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    The Place of Ukrainian National Motifs in the Art Culture of the Ukrainian SSR: 1960’s – 1970’s (the Theater and the Cinema Art Case Study).
    (2023) Kindrachuk, Nadia M.; Meleshchenko, Tetiana V.; Кіндрачук, Н.; Мелещенко, Т.
    The focus of this article is the study of the place of Ukrainian national motifs in the art culture of the Ukrainian SSR during the 60’s – 70’s of the 20th century on the example of theatre and cinema art, demonstration of protest of the Ukrainian intelligentsia against russification and denationalization of the indigenous people of Ukraine. Research methodology. During the research, such scientific methods as analytical-logical, historical-systemic, explanation, search, synthesis, comparison, complex selection were applied. The work also used the method of analysis is to find out the level of growth of national consciousness of Ukrainians. Scientific novelty. It was found that the beginning of the 1960’s was characterized by a certain rise of Ukrainian issues in art culture, however since the second half 60’s and during the 70’s of the twentieth century the Ukrainian national motives began to be actively pushed out of the movie screens and theatrical stages of the USSR etc. It is argued that the opposition of the Ukrainian creative intelligentsia to the Soviet totalitarian system resulted in cultural and artistic nonconformism. Conclusions. Despite oppression and repression by the ruling communist elite, Ukrainian artists sought to promote Ukraine’s past, reveal the multifaceted national culture of the indigenous people of the USSR, and demonstrate to the world its uniqueness and right to exist. The process of revival of the national face of Ukrainian culture, return from the depths of folk art, the relationship between national and spiritual was becoming irreversible. The spirit of free thought, moral and aesthetic innovations, struggle rights to indigenous art filled the activities of young talented Ukrainians.